Dumpstaphunk  •  Erica Falls atTipitina's
Friday, February 17
Doors 10:00PM
Show 11:00PM
18 & Over

Over the past 17 years, Dumpstaphunk has earned its reputation as a highly respected next-generation New Orleans musical institution, the type of band whose live performances have attracted sit-ins from legends like Carlos Santana, Bob Weir, George Clinton and members of Phish. Alongside original core members Tony Hall and Nick Daniels, and the new additions of Alex Wasily, Ashlin Parker, and drummer Deven Trusclair, Ivan and Ian Neville (the sons of Aaron Neville and Art “Poppa Funk” Neville respectively) have built upon their family’s iconic NOLA legacy as they’ve transformed Dumpstaphunk into the city’s pre-eminent 21st-century funk-fusion export, resulting in recent career highlights like their July 2019 opening gig for the Rolling Stones on their home turf at the New Orleans Mercedes Benz Superdome.

Modernizing and reinvigorating the Neville/Meters family groove has been one of the driving forces of Dumpstaphunk since the band spontaneously formed during New Orleans Jazz & Heritage Festival in 2003. Where Do We Go From Here is perhaps the best evidence yet of Dumpstaphunk’s ability to strengthen and transform their singular Crescent City roots in combination with the deeper outside musical and philosophical influences on which the band is founded.

“Obviously, the New Orleans history is just embedded in us, but we manage to incorporate all the other stuff we’ve listened to over the years,” says Ivan. “We’re representing a legacy, but we’re reimagining a lot of it, too

Soul singer and songwriter Erica Falls credits her unique vintage sound to her childhood growing up in New Orleans’ 9th Ward, where her parents introduced her to Roberta Flack, Aretha Franklin, Stevie Wonder, Nina Simone, Sarah Vaughn, and Whitney Houston.  Whether on stage or in the studio, she channels a sassy, soulful tone that recalls an earlier era. But Erica cautions her fans: “Vintage soul is not about bringing the listener back to a time of authentic music, it’s about reminding them that it never went anywhere,” she says.